Introduction

Name: Introduction
Description: Introduction a song by Lucy Scott on Play Music

Introduction a song by Lucy Scott on Play Music

Introduction by Lucy Scott ,
Prélude à l'après-midi d'un faune, L. 86 (Bars 1-5) by Claude Debussy , Orchestre National De Lyon , Jun Markl ,
For the 20th-Century Composer and Conductor Pierre Boulez by Lucy Scott ,
Children's Corner, L. 113: VI. Golliwogg's Cake-Walk (Excerpt) by Claude Debussy , Paavali Jumppanen ,
That Was an Extract from Debussy's Six-Movement Piano Suite by Lucy Scott ,
Nuit d'étoiles, L. 4 (Excerpt) by Claude Debussy , Lorna Windsor , Antonio Ballista ,
The Extent to Which Debussy's Love Affair with Mme Vasnier by Lucy Scott ,
L'enfant prodigue, L. 57: IV. Cortège et air de danse (Excerpt) by Claude Debussy , Orchestre National De Lyon , Jun Markl ,
Though He Had Gained the Highest Honours for "The Prodigal Son" by Lucy Scott ,
Printemps, L. 61: II. Modéré (1912 Version) [Orch. H. Büsser] [Excerpt] by Claude Debussy , Orchestre National De Lyon , Jun Markl ,
Back in Paris, Debussy's Relationship with Mme Vasnier Gradually Fizzled Out by Lucy Scott ,
5 Poèmes de Baudelaire, L. 64: No. 2, Harmonie du soir (Excerpt) by Claude Debussy , Claire Booth , Andrew Matthews-Owen ,
If His Old Musical Comrades Seem to Have Deserted Him by Lucy Scott ,
Prélude à l'après-midi d'un faune, L. 86 (Bars 51-64) by Claude Debussy , Orchestre National De Lyon , Jun Markl ,
"Faune" Was First Performed, with Debussy at the Piano by Lucy Scott ,
String Quartet in G Minor, Op. 10, L. 85: II. Assez vif et bien rythmé (Excerpt) by Claude Debussy , Kodály Quartet ,
During This Time, Debussy Was Also Busy Composing Two Large-Scale Works by Lucy Scott ,
Nocturnes, L. 91: No. 3, Sirènes (Excerpt) by Claude Debussy , MDR Rundfunkchor , Orchestre National De Lyon , Jun Markl ,
Debussy's "Nocturnes" Received Both Warm Applause and Frosty Criticism by Lucy Scott ,
Pelléas et Mélisande, L. 88: Une forèt (Excerpt) by Claude Debussy , Orchestre National de Lille , Jean-Claude Casadesus ,
That Was an Extract from the Beginning of Debussy's First and Only Completed Opera by Lucy Scott ,
Danse sacrée et danse profane, L. 103: No. 2, Danse profane (Version for Harp & Solo Strings) [Excerpt] by Claude Debussy , Ellen Bødtker , Vertavo String Quartet , Sjur Bjaerke ,
It Was Also During This Post-"Pelléas" Period That Debussy Was Decorated by Lucy Scott ,
Images, Book 1, L. 110: No. 1, Reflets dans l'eau (Excerpt) by Claude Debussy , Klara Kormendi ,
Also About Water Is the Third Movement by Lucy Scott ,
Images, Book 2, L. 111: No. 3, Poissons d'or (Excerpt) by Claude Debussy , Klara Kormendi ,
A New Period of Debussy's Life Was Soon to Begin by Lucy Scott ,
Images pour orchestre, L. 122, No. 2, Ibéria: I. Par les rues et les chemins (Excerpt) by Claude Debussy , Orchestre National De Lyon , Jun Markl ,
In 1909 a Group of Artists and Musicians from Russia Arrived by Lucy Scott ,
Jeux, L. 126 (Excerpt) by Claude Debussy , Orchestre National De Lyon , Jun Markl ,
Interestingly, "Faune" and "Jeux" Were Not the Only Theatrical Works by Lucy Scott ,
Syrinx, L. 129 (Excerpt) by Claude Debussy , Patrick Gallois ,
In 1914, Having Returned to Paris by Lucy Scott ,
12 Etudes, L. 136, Book 2: No. 3, Pour les quartes (Excerpt) by Claude Debussy , François-Joël Thiollier ,
In 1915, Debussy Once Again Departed Paris by Lucy Scott ,
Préludes, Book 2, L. 123: No. 10, Canope (Excerpt) by Claude Debussy , Chengzong Yin ,