Richard Wistreich

Handel: Memoirs 2 - 2024-09-16T00:00:00.000000Z

• Water Music Suite No. 1, HWV 348 (Re-orchestrated by Hamilton Harty): I. Allegro - 2024 Remaster - Handel: Memoirs 2 - Richard Wistreich
• Water Music Suite No. 1, HWV 348 (Re-orchestrated by Hamilton Harty): II. Air - 2024 Remaster - Handel: Memoirs 2 - Richard Wistreich
• Water Music Suite No. 1, HWV 348 (Re-orchestrated by Hamilton Harty): III. Bourée - 2024 Remaster - Handel: Memoirs 2 - Richard Wistreich
• Water Music Suite No. 1, HWV 348 (Re-orchestrated by Hamilton Harty): IV. Hornpipe - 2024 Remaster - Handel: Memoirs 2 - Richard Wistreich
• Water Music Suite No. 1, HWV 348 (Re-orchestrated by Hamilton Harty): VI Allegro deciso - 2024 Remaster - Handel: Memoirs 2 - Richard Wistreich
• Water Music Suite No. 1, HWV 348 (Re-orchestrated by Hamilton Harty): V. Andante - 2024 Remaster - Handel: Memoirs 2 - Richard Wistreich
• Memoirs: I. At the time that Almeria - Handel: Memoirs 2 - Richard Wistreich
• Memoirs: II. The Price would often lament - Handel: Memoirs 2 - Richard Wistreich
• Memoirs: III. He assured him - Handel: Memoirs 2 - Richard Wistreich
• Memoirs: IV. The Prince the intimated - Handel: Memoirs 2 - Richard Wistreich
• Memoirs: V. Four or five years had elapsed - Handel: Memoirs 2 - Richard Wistreich
• Memoirs: VI. The number of schools and academies - Handel: Memoirs 2 - Richard Wistreich
• Memoirs: VII, And a foreigner - Handel: Memoirs 2 - Richard Wistreich
• Memoirs: VIII. Thou they seem - Handel: Memoirs 2 - Richard Wistreich
• Memoirs: IX. The younger Scarlatti - Handel: Memoirs 2 - Richard Wistreich
• Memoirs: X. Indeed, from the best information - Handel: Memoirs 2 - Richard Wistreich
• Memoirs: XI. They do not consider the advantages - Handel: Memoirs 2 - Richard Wistreich
• Memoirs: XII. Vossius having declared - Handel: Memoirs 2 - Richard Wistreich
• Memoirs: XIII. And might we not ask - Handel: Memoirs 2 - Richard Wistreich
• Memoirs: XIV. The advantages which he drew - Handel: Memoirs 2 - Richard Wistreich
• Memoirs: XV. It is the more to be lamented - Handel: Memoirs 2 - Richard Wistreich
• Memoirs: XVI. For though all men will agree - Handel: Memoirs 2 - Richard Wistreich
• Memoirs: XVII. The excellence of Mr. Addison - Handel: Memoirs 2 - Richard Wistreich
• Memoirs: XVIII. We left Handel just on the point of his removal from Italy - Handel: Memoirs 2 - Richard Wistreich
• Memoirs: XIX. With less experience - Handel: Memoirs 2 - Richard Wistreich
• Memoirs: XX. At the age of eighteen - Handel: Memoirs 2 - Richard Wistreich
• Memoirs: XXI. But, from the natural restlessness - Handel: Memoirs 2 - Richard Wistreich
• Memoirs: XXII. The nature of his design in travelling - Handel: Memoirs 2 - Richard Wistreich
• Memoirs: XXIII. At last, however, he consented - Handel: Memoirs 2 - Richard Wistreich
• Memoirs: XXIV. The theatre, at almost every pause - Handel: Memoirs 2 - Richard Wistreich
• Memoirs: XXV. This opera drew over all the best singers - Handel: Memoirs 2 - Richard Wistreich
• Memoirs: XXVI. Having mentioned - Handel: Memoirs 2 - Richard Wistreich
• Memoirs: XXVIII. Besides a fine collection of pictures and statues - Handel: Memoirs 2 - Richard Wistreich
• Memoirs: XXIX. There was also something in his manner - Handel: Memoirs 2 - Richard Wistreich
• Memoirs: XXX. Severall fruitless attemps - Handel: Memoirs 2 - Richard Wistreich
• Memoirs: XXXI. The ouverture for Il trionfo del tempo e del disinganno - Handel: Memoirs 2 - Richard Wistreich
• Memoirs: XXXII. Corelli gently lays down his instrument - Handel: Memoirs 2 - Richard Wistreich
• Memoirs: XXXIII. Hitherto Handel was chiefly been considered - Handel: Memoirs 2 - Richard Wistreich
• Memoirs: XXXIV. The first of these he became aquainted with - Handel: Memoirs 2 - Richard Wistreich
• Memoirs: XXXV. As he was an exquisite player on the harpsichord - Handel: Memoirs 2 - Richard Wistreich
• Memoirs: XXXVI. Handel used often to speak of this person - Handel: Memoirs 2 - Richard Wistreich
• Memoirs: XXXVII. Though no two persons ever arrived - Handel: Memoirs 2 - Richard Wistreich
• Memoirs: XXXVIII. While he was at Rome - Handel: Memoirs 2 - Richard Wistreich
• Memoirs: XXXIX. Ils seavent encore - Handel: Memoirs 2 - Richard Wistreich
• Memoirs: XL. Wheter his Eminence - Handel: Memoirs 2 - Richard Wistreich
• Memoirs: XLI. As he was familiar - Handel: Memoirs 2 - Richard Wistreich
• Memoirs: XLII. No hopes appearing of a real conversion - Handel: Memoirs 2 - Richard Wistreich
• Memoirs: XLIII. From Rome - Handel: Memoirs 2 - Richard Wistreich
• Memoirs: XLIV. How Handel executed his task - Handel: Memoirs 2 - Richard Wistreich
• Memoirs: XLV. After he quitted Naples - Handel: Memoirs 2 - Richard Wistreich

Anecdotes 1: John Christopher Smith - 2024-09-02T00:00:00.000000Z

• Israel in Egypt, HWV 54: Double Chorus: Who is like unto Thee - 2024 Remaster - Anecdotes 1: John Christopher Smith - Richard Wistreich
• Israel in Egypt, HWV 54: Aria (alto): Their land brought forth frogs - 2024 Remaster - Anecdotes 1: John Christopher Smith - Richard Wistreich
• Israel in Egypt, HWV 54: Aria (soprano): Thou didst blow - 2024 Remaster - Anecdotes 1: John Christopher Smith - Richard Wistreich
• Anecdotes of John Christopher Smith: Title - Anecdotes 1: John Christopher Smith - Richard Wistreich
• Anecdotes of John Christopher Smith: Anecdotes of John Christopher Smith - Anecdotes 1: John Christopher Smith - Richard Wistreich
• Anecdotes of John Christopher Smith: When Handel arrived in Anspach - Anecdotes 1: John Christopher Smith - Richard Wistreich
• Anecdotes of John Christopher Smith: Soon after his arrival - Anecdotes 1: John Christopher Smith - Richard Wistreich
• Anecdotes of John Christopher Smith: When Smith was about fourteen - Anecdotes 1: John Christopher Smith - Richard Wistreich
• Anecdotes of John Christopher Smith: Dr. Clarke's son was then acout twelfe years of age - Anecdotes 1: John Christopher Smith - Richard Wistreich
• Anecdotes of John Christopher Smith: Under the tuition of Handel - Anecdotes 1: John Christopher Smith - Richard Wistreich
• Anecdotes of John Christopher Smith: His prudence, however, never disgenerated - Anecdotes 1: John Christopher Smith - Richard Wistreich
• Anecdotes of John Christopher Smith: At the age of eighteen - Anecdotes 1: John Christopher Smith - Richard Wistreich
• Anecdotes of John Christopher Smith: At Dr. Arbuthnot's house he frequently met Swift, Pope, Gay and Congreve - Anecdotes 1: John Christopher Smith - Richard Wistreich
• Anecdotes of John Christopher Smithx: Pope replied, that merit, in every branch of science - Anecdotes 1: John Christopher Smith - Richard Wistreich
• Anecdotes of John Christopher Smithx: Although Handel had instructed his pupil in the rudiments of music - Anecdotes 1: John Christopher Smith - Richard Wistreich
• Anecdotes of John Christopher Smith: Biography of John Christopher Pepusch - Anecdotes 1: John Christopher Smith - Richard Wistreich
• Anecdotes of John Christopher Smith: He was employed by the Duke of Chandos - Anecdotes 1: John Christopher Smith - Richard Wistreich
• Anecdotes of John Christopher Smith: In 1717, he was appointed organist of the Charter House - Anecdotes 1: John Christopher Smith - Richard Wistreich
• Anecdotes of John Christopher Smith: He was elected a Fellow, of the Royal Society in 1746 - Anecdotes 1: John Christopher Smith - Richard Wistreich
• Anecdotes of John Christopher Smith: Biography Thomas Roseingrave - Anecdotes 1: John Christopher Smith - Richard Wistreich
• Anecdotes of John Christopher Smith: On quitting Italy, he settled in London - Anecdotes 1: John Christopher Smith - Richard Wistreich
• Anecdotes of John Christopher Smith: But humorously added, that he would box with him - Anecdotes 1: John Christopher Smith - Richard Wistreich
• Anecdotes of John Christopher Smith: This disappointment affected his brain - Anecdotes 1: John Christopher Smith - Richard Wistreich
• Anecdotes of John Christopher Smith: With a view to profit by Roseingrave's kindness - Anecdotes 1: John Christopher Smith - Richard Wistreich
• Anecdotes of John Christopher Smith: Smith's first operas, Marriage, under these preceptors Smith made so rapid a progress - Anecdotes 1: John Christopher Smith - Richard Wistreich
• Anecdotes of John Christopher Smith: But although he had much genius for music - Anecdotes 1: John Christopher Smith - Richard Wistreich
• Anecdotes of John Christopher Smith: They lived together nearly six years - Anecdotes 1: John Christopher Smith - Richard Wistreich
• Anecdotes of John Christopher Smith: Acompagning Peter Waters to the South of France - Anecdotes 1: John Christopher Smith - Richard Wistreich
• Anecdotes of John Christopher Smith: He continued with him abroad for two or three years - Anecdotes 1: John Christopher Smith - Richard Wistreich
• Anecdotes of John Christopher Smith: He passed some time at Geneva - Anecdotes 1: John Christopher Smith - Richard Wistreich
• Anecdotes of John Christopher Smith: Handel became blind, about this period Handel became blind - Anecdotes 1: John Christopher Smith - Richard Wistreich
• Anecdotes of John Christopher Smith: In this dilemma, Handel sent for his pupil to assist him - Anecdotes 1: John Christopher Smith - Richard Wistreich
• Anecdotes of John Christopher Smith: Total eclipse no sun, no moon - Anecdotes 1: John Christopher Smith - Richard Wistreich
• Anecdotes of John Christopher Smith: A year after Smith's return to England, Mrs. Watersdied died - Anecdotes 1: John Christopher Smith - Richard Wistreich
• Anecdotes of John Christopher Smith: Upon which Waters said - Anecdotes 1: John Christopher Smith - Richard Wistreich
• Anecdotes of John Christopher Smith: At this period, Smith derived great pleasure - Anecdotes 1: John Christopher Smith - Richard Wistreich
• Anecdotes of John Christopher Smith: At the house of Mr. Price - Anecdotes 1: John Christopher Smith - Richard Wistreich
• Anecdotes of John Christopher Smith: In 1754, Smith successfully displayed his talents for composition - Anecdotes 1: John Christopher Smith - Richard Wistreich
• Anecdotes of John Christopher Smith: Smith replied, he could not be induced to believe - Anecdotes 1: John Christopher Smith - Richard Wistreich
• Anecdotes of John Christopher Smith: The great success of the Fairies - Anecdotes 1: John Christopher Smith - Richard Wistreich
• Anecdotes of John Christopher Smith: Smith having remonstrated - Anecdotes 1: John Christopher Smith - Richard Wistreich
• Anecdotes of John Christopher Smith: He cast off his friends as a huntsman his pack - Anecdotes 1: John Christopher Smith - Richard Wistreich
• Anecdotes of John Christopher Smith: Handel continued to employ Smith senior as his treasurer - Anecdotes 1: John Christopher Smith - Richard Wistreich
• Anecdotes of John Christopher Smith: After this quarrel, Handel took Smith one day by the hand - Anecdotes 1: John Christopher Smith - Richard Wistreich
• Anecdotes of John Christopher Smith: About three weeks before Handel's death - Anecdotes 1: John Christopher Smith - Richard Wistreich
• Anecdotes of John Christopher Smith: To Mr. Smith he left all his manuscript music - Anecdotes 1: John Christopher Smith - Richard Wistreich
• Anecdotes of John Christopher Smith: But he had too much enthusiasm for the art - Anecdotes 1: John Christopher Smith - Richard Wistreich
• Anecdotes of John Christopher Smith: Biography of John Stanley - Anecdotes 1: John Christopher Smith - Richard Wistreich
• Anecdotes of John Christopher Smith: He was advised to have his son instructed on the harpsichord - Anecdotes 1: John Christopher Smith - Richard Wistreich
• Anecdotes of John Christopher Smith: Under this scientific master Stanley made a most rapid progress - Anecdotes 1: John Christopher Smith - Richard Wistreich

Handel: Memoirs 5 - 2024-08-21T00:00:00.000000Z

• The Messiah, HWV 56: Pt. 1 No. 11, The People That Walked In Darkness (Bass) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Memoirs 5 - Richard Wistreich
• The Messiah, HWV 56: Pt. 1 No. 20, He Shall Feed His Flock Like a Shepherd (Alto) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Memoirs 5 - Richard Wistreich
• The Messiah, HWV 56: Pt. 2 No. 36, The Lord Gave the Word (Chorus) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Memoirs 5 - Richard Wistreich
• Memoirs: Observations on the works: Before we enter on the examinations - Handel: Memoirs 5 - Richard Wistreich
• Memoirs: Observations on the works: Music is founded on established rules - Handel: Memoirs 5 - Richard Wistreich
• Memoirs: Observations on the works: The rules are derived from experience - Handel: Memoirs 5 - Richard Wistreich
• Memoirs: Observations on the works: The former of these - Handel: Memoirs 5 - Richard Wistreich
• Memoirs: Observations on the works: Such passages - Handel: Memoirs 5 - Richard Wistreich
• Memoirs: Observations on the works: Hence too we may conclude - Handel: Memoirs 5 - Richard Wistreich
• Memoirs: Observations on the works: As tste implies a natural sensibility - Handel: Memoirs 5 - Richard Wistreich
• Memoirs: Observations on the works: Art is here not only useless, but dangerous - Handel: Memoirs 5 - Richard Wistreich
• Memoirs: German and italian styles, Handel's preference for the italian: What gives me the fuller assurance - Handel: Memoirs 5 - Richard Wistreich
• Memoirs: German and italian styles, Handel's preference for the italian: The Taste in Music - Handel: Memoirs 5 - Richard Wistreich
• Memoirs: German and italian styles, Handel's preference for the italian: Handel formed his Taste upon that of his countrymen - Handel: Memoirs 5 - Richard Wistreich
• Memoirs: German and italian styles, Handel's preference for the italian: When we consider two kinds of Music - Handel: Memoirs 5 - Richard Wistreich
• Memoirs: German and italian styles, Handel's preference for the italian: Thus he takes in all the prejudicated part - Handel: Memoirs 5 - Richard Wistreich
• Memoirs: German and italian styles, Handel's preference for the italian: This appeares from particular instances - Handel: Memoirs 5 - Richard Wistreich
• Memoirs: Italian music since Palestrina: The Old Music, such as it was at the time of Palestrina - Handel: Memoirs 5 - Richard Wistreich
• Memoirs: Italian music since Palestrina: It happened, as it naturally must - Handel: Memoirs 5 - Richard Wistreich
• Memoirs: Italian music since Palestrina: For their instrumental parts - Handel: Memoirs 5 - Richard Wistreich
• Memoirs: Italian music since Palestrina: The one is, that they have little time for composing - Handel: Memoirs 5 - Richard Wistreich
• Memoirs: Italian music since Palestrina: Almost every composer of genius in Italy - Handel: Memoirs 5 - Richard Wistreich
• Memoirs: Italian music since Palestrina: This in some degree - Handel: Memoirs 5 - Richard Wistreich
• Memoirs: Interaction between Handel and the italians: From all that has been said - Handel: Memoirs 5 - Richard Wistreich
• Memoirs: Interaction between Handel and the italians: And as some proof of Handel's influence in Italy - Handel: Memoirs 5 - Richard Wistreich
• Memoirs: Value of harmony and melody: But in order to make a right judgement - Handel: Memoirs 5 - Richard Wistreich
• Memoirs: Value of harmony and melody: The concertos of Tartini - Handel: Memoirs 5 - Richard Wistreich
• Memoirs: Value of harmony and melody: Rousseau has developed this matter wonderfully - Handel: Memoirs 5 - Richard Wistreich
• Memoirs: Value of harmony and melody: His uncommon strenght in the instrumental way - Handel: Memoirs 5 - Richard Wistreich
• Memoirs: Value of harmony and melody: It may also be added - Handel: Memoirs 5 - Richard Wistreich
• Memoirs: Value of harmony and melody: Yet in many others all parts are so nicely adjusted - Handel: Memoirs 5 - Richard Wistreich
• Memoirs: Value of harmony and melody: The best Painter would be blamed - Handel: Memoirs 5 - Richard Wistreich
• Memoirs: Uneven success in Handel: To speak the plain truth - Handel: Memoirs 5 - Richard Wistreich
• Memoirs: Uneven success in Handel: A gentleman whom he had desired - Handel: Memoirs 5 - Richard Wistreich
• Memoirs: Uneven success in Handel "Un disprezzato affetto" - Handel: Memoirs 5 - Richard Wistreich
• Memoirs: Tartini as example of vocal writing for instruments: Here too we will see - Handel: Memoirs 5 - Richard Wistreich
• Memoirs: Tartini as example of vocal writing for instruments: After all the vocal species - Handel: Memoirs 5 - Richard Wistreich
• Memoirs: Tartini as example of vocal writing for instruments: As most difficult passages - Handel: Memoirs 5 - Richard Wistreich
• Memoirs: Importance of textual considerations in composition: And here I just may take notice - Handel: Memoirs 5 - Richard Wistreich
• Memoirs: Importance of textual considerations in composition: A too close attachment - Handel: Memoirs 5 - Richard Wistreich
• Memoirs: Importance of textual considerations in composition: The English tongue - Handel: Memoirs 5 - Richard Wistreich
• Memoirs: Importance of textual considerations in composition: If it abounds with noble images - Handel: Memoirs 5 - Richard Wistreich
• Memoirs: Exceptional nature of Handels choral music: In his Chorusses he is without a rival - Handel: Memoirs 5 - Richard Wistreich
• Memoirs: Exceptional nature of Handels choral music: It is true that in the admirable epistle - Handel: Memoirs 5 - Richard Wistreich
• Memoirs: Exceptional nature of Handels choral music: But there are many reasons - Handel: Memoirs 5 - Richard Wistreich
• Memoirs: Exceptional nature of Handels choral music: It is however no way improbable - Handel: Memoirs 5 - Richard Wistreich
• Memoirs: Effects of Handel's oratorio style, Messiah: As his Oratorios - Handel: Memoirs 5 - Richard Wistreich
• Memoirs: Effects of Handel's oratorio style, Messiah: After these vast efforts of genius - Handel: Memoirs 5 - Richard Wistreich
• Memoirs: Effects of Handel's oratorio style, Messiah: This is probably owing to that grandeur of conception - Handel: Memoirs 5 - Richard Wistreich
• Memoirs: Particular effect of recitative in expressing religion and humanity: His excellence in another branch of vocal Music - Handel: Memoirs 5 - Richard Wistreich

Handel: Memoirs 4 - 2024-08-20T00:00:00.000000Z

• The Messiah, HWV 56: Pt. 1 No. 1, Sinfony (Orchestra) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Memoirs 4 - Richard Wistreich
• The Messiah, HWV 56: Pt. 1 No. 2, Comfort Ye My People (Tenor) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Memoirs 4 - Richard Wistreich
• The Messiah, HWV 56: Pt. 1 No. 3, Every Valley Shall Be Exalted (Tenor) - Live at Cathedral of Brixen, 08/28/2009 - Handel: Memoirs 4 - Richard Wistreich
• Memoirs: Move to Covent Garden: He now removed to Conventgarden - Handel: Memoirs 4 - Richard Wistreich
• Memoirs: Move to Covent Garden: He could not beleive - Handel: Memoirs 4 - Richard Wistreich
• Memoirs: Move to Covent Garden: The opposition in which they were engaged - Handel: Memoirs 4 - Richard Wistreich
• Memoirs: Move to Covent Garden: From hence he gradually - Handel: Memoirs 4 - Richard Wistreich
• Memoirs: Move to Covent Garden: By this journey - Handel: Memoirs 4 - Richard Wistreich
• Memoirs: Move to Covent Garden: There were but few persons - Handel: Memoirs 4 - Richard Wistreich
• Memoirs: Move to Covent Garden: At the end of three or four years - Handel: Memoirs 4 - Richard Wistreich
• Memoirs: Move to Covent Garden: The observation that misfortunes - Handel: Memoirs 4 - Richard Wistreich
• Memoirs: Cure in Aachen: In this melancholic state - Handel: Memoirs 4 - Richard Wistreich
• Memoirs: Cure in Aachen: Whoever knows any thing - Handel: Memoirs 4 - Richard Wistreich
• Memoirs: The Haymarket Theatre: Soon after his return to London in 1736 - Handel: Memoirs 4 - Richard Wistreich
• Memoirs: The Haymarket Theatre: He made two operas for his Lordship - Handel: Memoirs 4 - Richard Wistreich
• Memoirs: The Haymarket Theatre: The sense of his abilities - Handel: Memoirs 4 - Richard Wistreich
• Memoirs: The Haymarket Theatre: But he was so averse - Handel: Memoirs 4 - Richard Wistreich
• Memoirs: The Haymarket Theatre: Esther was made originally for the Duke of Chandois - Handel: Memoirs 4 - Richard Wistreich
• Memoirs: The Haymarket Theatre: But the very sacredness and solemnity - Handel: Memoirs 4 - Richard Wistreich
• Memoirs: A turn of attention to Oratorio In times when narrow notions - Handel: Memoirs 4 - Richard Wistreich
• Memoirs: A turn of attention to Oratorio: Would not action and gesticulation - Handel: Memoirs 4 - Richard Wistreich
• Memoirs: A turn of attention to Oratorio: Racine's Estehr and Athaliah - Handel: Memoirs 4 - Richard Wistreich
• Memoirs: A turn of attention to Oratorio: The distance of this theatre - Handel: Memoirs 4 - Richard Wistreich
• Memoirs: A turn of attention to Oratorio: But at this time his affairs - Handel: Memoirs 4 - Richard Wistreich
• Memoirs: In Dublin Messiah as benefit concert: Dublin has always been famous - Handel: Memoirs 4 - Richard Wistreich
• Memoirs: In Dublin Messiah as benefit concert: There was a preculiar propriety - Handel: Memoirs 4 - Richard Wistreich
• Memoirs: In Dublin Messiah as benefit concert: Mr. Pope - Handel: Memoirs 4 - Richard Wistreich
• Memoirs: In Dublin Messiah as benefit concert: But soon, ah soon, rebellion will commence - Handel: Memoirs 4 - Richard Wistreich
• Memoirs: Return to London: At his return to London - Handel: Memoirs 4 - Richard Wistreich
• Memoirs: Return to London: Indeed, in the year 1743 - Handel: Memoirs 4 - Richard Wistreich
• Memoirs: Return to London: It is sufficient - Handel: Memoirs 4 - Richard Wistreich
• Memoirs: Messiah for the Foundling Hospital, Death: The Foundling Hospital originally rested - Handel: Memoirs 4 - Richard Wistreich
• Memoirs: Messiah for the Foundling Hospital, Death: By these vast numbers of the nobility - Handel: Memoirs 4 - Richard Wistreich
• Memoirs: Messiah for the Foundling Hospital, Death: The very successful application - Handel: Memoirs 4 - Richard Wistreich
• Memoirs: Blindness, Loss of appetite, The character of the man to explain the artist: In the year 1751 - Handel: Memoirs 4 - Richard Wistreich
• Memoirs: Blindness, Loss of appetite, The character of the man to explain the artist: This must appear the more surprising - Handel: Memoirs 4 - Richard Wistreich
• Memoirs: Blindness, Loss of appetite, The character of the man to explain the artist: Those, who have blamed him - Handel: Memoirs 4 - Richard Wistreich
• Memoirs: Blindness, Loss of appetite, The character of the man to explain the artist: He certainly paid more attention to it - Handel: Memoirs 4 - Richard Wistreich
• Memoirs: Blindness, Loss of appetite, The character of the man to explain the artist: Had he hurt his health - Handel: Memoirs 4 - Richard Wistreich
• Memoirs: Blindness, Loss of appetite, The character of the man to explain the artist: It was thought better to leave the Reader - Handel: Memoirs 4 - Richard Wistreich
• Memoirs: Blindness, Loss of appetite, The character of the man to explain the artist: So that this connection - Handel: Memoirs 4 - Richard Wistreich
• Memoirs: Catalogue of the works, Overview and general remarks: Catalogue of the works - Handel: Memoirs 4 - Richard Wistreich
• Memoirs: Catalogue of the works, Overview and general remarks: In the followin Catalogue - Handel: Memoirs 4 - Richard Wistreich
• Memoirs: List of works: Theatrical Music - Handel: Memoirs 4 - Richard Wistreich
• Memoirs: List of works: Amadigi - Handel: Memoirs 4 - Richard Wistreich
• Memoirs: List of works: Giulio Cesare - Handel: Memoirs 4 - Richard Wistreich
• Memoirs: List of works: Admeto - Handel: Memoirs 4 - Richard Wistreich
• Memoirs: List of works: Sosarme - Handel: Memoirs 4 - Richard Wistreich
• Memoirs: List of works: Atalanta - Handel: Memoirs 4 - Richard Wistreich
• Memoirs: List of works: Alessandro Severo - Handel: Memoirs 4 - Richard Wistreich

Beethoven: Choral Fantasy, Piano Concertos Nos. 3 & 5 "Emperor" - 2022-09-16T00:00:00.000000Z

• Beethoven: Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": I. Allegro - Beethoven: Choral Fantasy, Piano Concertos Nos. 3 & 5 "Emperor" - Richard Wistreich
• Beethoven: Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso - Beethoven: Choral Fantasy, Piano Concertos Nos. 3 & 5 "Emperor" - Richard Wistreich
• Beethoven: Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": III. Rondo. Allegro - Beethoven: Choral Fantasy, Piano Concertos Nos. 3 & 5 "Emperor" - Richard Wistreich
• Beethoven: Fantasia in C Minor, Op. 80 "Choral Fantasy": I. Adagio - Allegro - Beethoven: Choral Fantasy, Piano Concertos Nos. 3 & 5 "Emperor" - Richard Wistreich
• Beethoven: Fantasia in C Minor, Op. 80 "Choral Fantasy": II. Adagio, ma non troppo - Marcia, assai vivace - Beethoven: Choral Fantasy, Piano Concertos Nos. 3 & 5 "Emperor" - Richard Wistreich
• Beethoven: Fantasy in C Minor, Op. 80 "Choral Fantasy": III. Allegro - Allegretto ma non troppo - Beethoven: Choral Fantasy, Piano Concertos Nos. 3 & 5 "Emperor" - Richard Wistreich
• Beethoven: Piano Concerto No. 3 in C Minor, Op. 37: I. Allegro con brio - Beethoven: Choral Fantasy, Piano Concertos Nos. 3 & 5 "Emperor" - Richard Wistreich
• Beethoven: Piano Concerto No. 3 in C Minor, Op. 37: II. Largo - Beethoven: Choral Fantasy, Piano Concertos Nos. 3 & 5 "Emperor" - Richard Wistreich
• Beethoven: Piano Concerto No. 3 in C Minor, Op. 37: III. Rondo. Allegro - Beethoven: Choral Fantasy, Piano Concertos Nos. 3 & 5 "Emperor" - Richard Wistreich

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