Collegiate Chorale
MasterVoices (formerly the Collegiate Chorale) is a symphonic choir based in New York City, USA. It was founded in 1941 by Robert Shaw, who was later to found the professional Robert Shaw Chorale. MasterVoices continues to give several performances annually in Carnegie Hall, New York City Center, Lincoln Center and other venues. The group performed at the opening of the United Nations and has sung and recorded with such conductors as Serge Koussevitzky, Arturo Toscanini and Leonard Bernstein. The organization's artistic director is Ted Sperling.
The group was originally named for its first home, Manhattan's Marble Collegiate Church, and was notable for Robert Shaw's insistence, from its inception, that the group be racially integrated. The choir and the church soon parted ways due to the church's concerns about the choir's ethnic and religious makeup. The chorale was led by Abraham Kaplan in the 1960s, and by conductor Richard Westenburg from 1973 to 1979, and by music director and conductor Robert Bass from 1979 until his death in 2008. Among the chorale's achievements during the Bass years were such performances at Carnegie Hall as the New York premiere of Richard Strauss's Friedenstag with the Orchestra of St. Luke's in 1997, the United States premiere of Dvořák's Dimitrij, the American premiere of Handel's Giove in Argo, Respighi's La fiamma and Puccini's Turandot with the new ending by Luciano Berio. Bass and the chorale also recorded and performed two of Beethoven's cantatas, Der Glorreiche Augenblick and Auf die Erhebung Leopold des Zwieten zur Kaiserwürde with sopranos Deborah Voigt and Elizabeth Futral. Notable singers who performed with the choir during these years, included Kathleen Battle, Stephanie Blythe, Vinson Cole, David Daniels, Lauren Flanigan, Maria Guleghina, Hei-Kyung Hong, Salvatore Licitra, Alessandra Marc and Bryn Terfel.
Roger Rees was the chorale's artistic associate from 2003 to 2015, and James Bagwell was music director from 2009 to 2015. In July 2007 the choir was invited to perform Brahms' Ein Deutsches Requiem at Switzerland's Verbier Festival.
The group changed its name to MasterVoices on August 3, 2015, the same year that Ted Sperling became its artistic director. He has directed their staged concerts of musicals and operettas such as Song of Norway, Knickerbocker Holiday, The Pirates of Penzance, My Fair Lady, Anyone Can Whistle, The Mikado and Iolanthe, and operas such as The Grapes of Wrath and Carmen. In 2021 MasterVoices received nominations for a Drama League Award and a New York Emmy Award for its digital concert production, Myths and Hymns.
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Mirjam's Siegesgesang, D. 942: I. Rührt die Cymbel - Live - Barbara Hendricks in Verbier (Live) -
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Mirjam's Siegesgesang, D. 942: II. - IV. Aus Egypten vor dem Volke - Doch der Horizont er dunkelt - 's ist der Herr in seinem Grimme - Live - Barbara Hendricks in Verbier (Live) -
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Mirjam's Siegesgesang, D. 942: V. Tauchst du auf, Pharao? - Live - Barbara Hendricks in Verbier (Live) -
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Mirjam's Siegesgesang, D. 942: VI. Drum mit Cymbeln - Live - Barbara Hendricks in Verbier (Live) -
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7 Poems of Alexander Blok, Op. 127: I. Pesnya Ofelii - Live - Barbara Hendricks in Verbier (Live) -
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7 Poems of Alexander Blok, Op. 127: II. Gamayun, ptitsa veshchaya - Live - Barbara Hendricks in Verbier (Live) -
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7 Poems of Alexander Blok, Op. 127: III. My byli vmeste - Live - Barbara Hendricks in Verbier (Live) -
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7 Poems of Alexander Blok, Op. 127: IV. Gorod spit - Live - Barbara Hendricks in Verbier (Live) -
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7 Poems of Alexander Blok, Op. 127: V. Burya - Live - Barbara Hendricks in Verbier (Live) -
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7 Poems of Alexander Blok, Op. 127: VI. Tayniye znaki - Live - Barbara Hendricks in Verbier (Live) -
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7 Poems of Alexander Blok, Op. 127: VII. Muzyka - Live - Barbara Hendricks in Verbier (Live) -
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Capriccio, Op. 85, TrV 279: Intermezzo (Moonlight Music) - Live - Barbara Hendricks in Verbier (Live) -
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Capriccio, Op. 85, TrV 279: Morgen mittag um elf! - Live - Barbara Hendricks in Verbier (Live) -
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Capriccio, Op. 85, TrV 279: Kein Andres, das mir so im Herzen loht - Live - Barbara Hendricks in Verbier (Live) -
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Capriccio, Op. 85, TrV 279: Ihre Liebe schlägt mir entgegen - Live - Barbara Hendricks in Verbier (Live) -
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Capriccio, Op. 85, TrV 279: Wählst du den einen - verlierst du den andern! - Live - Barbara Hendricks in Verbier (Live) -
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Capriccio, Op. 85, TrV 279: Du Spiegelbild der verliebten Madeleine - Live - Barbara Hendricks in Verbier (Live) -
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Orchestral Suite No. 3 in D Major, BWV 1068: II. Air - Je n'aime pas Bach, mais ça j'aime bien ! -
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Jesu, Joy of Man's Desiring - Je n'aime pas Bach, mais ça j'aime bien ! -
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Goldberg Variations, BWV 988: Aria - Je n'aime pas Bach, mais ça j'aime bien ! -
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Goldberg Variations, BWV 988: Var. 1 - Je n'aime pas Bach, mais ça j'aime bien ! -
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Was mir behagt, ist nur die muntre Jagd, BWV 208: IX. Schafe können sicher weiden (Arr. for Piano) - Je n'aime pas Bach, mais ça j'aime bien ! -
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St. Mathew Passion, BWV 244: "Erbarme dich" - Je n'aime pas Bach, mais ça j'aime bien ! -
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Italian Concerto in F Major, BWV 971: Italian Concerto in F Major, BWV 971: I. [Allegro] - Je n'aime pas Bach, mais ça j'aime bien ! -
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Keyboard Concerto in D Major, BWV 1054: II. Adagio e piano sempre - Je n'aime pas Bach, mais ça j'aime bien ! -
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Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano in G Minor (Arr. for Piano) - Je n'aime pas Bach, mais ça j'aime bien ! -
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Keyboard Concerto in F Minor, BWV 1056: III. Presto - Je n'aime pas Bach, mais ça j'aime bien ! -
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Suite pour violoncelle No.1 en sol majeur, BWV 1007: Praeludium - Je n'aime pas Bach, mais ça j'aime bien ! -
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Keyboard Concerto in D Major, BWV 1054: Keyboard Concerto in D Major, BWV 1054: I. [Allegro] - Je n'aime pas Bach, mais ça j'aime bien ! -
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Ich ruf zu dir, Herr Jesu Christ, No. 5, BWV 639 - Je n'aime pas Bach, mais ça j'aime bien ! -
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St Matthew Passion, BWV 244: Part II, No. 78: Double Chorus "In Deepest Grief, Here Sit we Weeping" - Je n'aime pas Bach, mais ça j'aime bien ! -
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Magnificat en mi bémol majeur, BWV 243a: "Deposuit potentes" - Je n'aime pas Bach, mais ça j'aime bien ! -
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The Well-Tempered Clavier, Book I: No. 1 in C Major, BWV 846: I. Prelude - Je n'aime pas Bach, mais ça j'aime bien ! -
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Brandenburg Concerto No. 5 in D Major, BWV 1050: I. Allegro - Je n'aime pas Bach, mais ça j'aime bien ! -
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Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio - The 50 Greatest Classical Masterpieces -
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Serenade No. 13 in G Major, K. 525 "Eine kleine Nachtmusik": I. Allegro - The 50 Greatest Classical Masterpieces -
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Pavane pour une infante défunte, M. 19 (Arranged for Two Guitars by Julian Bream) - The 50 Greatest Classical Masterpieces -
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Carmina Burana: O Fortuna I - The 50 Greatest Classical Masterpieces -
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1812 Overture, Op. 49 - The 50 Greatest Classical Masterpieces -
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Toccata and Fugue in D Minor, BWV 565 - The 50 Greatest Classical Masterpieces -
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Guillaume Tell: Overture - Remastered - The 50 Greatest Classical Masterpieces -
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Die Walküre, Act III: Ride of the Valkyries - The 50 Greatest Classical Masterpieces -
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An der schönen blauen Donau, Op. 314 - The 50 Greatest Classical Masterpieces -
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Also sprach Zarathustra, Op. 30: Introduction - The 50 Greatest Classical Masterpieces -
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Messiah, HWV 56: Hallelujah Chorus - The 50 Greatest Classical Masterpieces -
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Peer Gynt, Op. 23 - Suite No. 1, Op. 46: IV. In the Hall of the Mountain King - The 50 Greatest Classical Masterpieces -
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Concerto for 2 Violins in D Minor, BWV 1043: II. Largo ma non tanto - The 50 Greatest Classical Masterpieces -
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Boléro, M. 81 - The 50 Greatest Classical Masterpieces -
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Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Finale. Presto - Allegro assai - The 50 Greatest Classical Masterpieces -
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Piano Sonata No. 14 in C-Sharp Minor, Op. 27, No. 2 "Moonlight": I. Adagio sostenuto - 2004 Remastered Version - The 50 Greatest Classical Masterpieces -
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Nutcracker Suite, Op. 71a: Dance of the Sugar Plum Fairy - Andante non troppo - The 50 Greatest Classical Masterpieces -
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Goldberg Variations, BWV 988: Aria - The 50 Greatest Classical Masterpieces -
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Psalm 50 (51) à9: Miserere mei, Deus - The 50 Greatest Classical Masterpieces -
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Orchestral Suite No. 3 in D Major, BWV 1068: II. Air - The 50 Greatest Classical Masterpieces -
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4 Dance Episodes from Rodeo: IV. Hoe Down - The 50 Greatest Classical Masterpieces -
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Carmen, WD 31: Act I: L'amour est un oiseau rebelle (Habanera) - The 50 Greatest Classical Masterpieces -
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Suite bergamasque, L. 75: III. Clair de lune - The 50 Greatest Classical Masterpieces -
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Prelude & Fugue No. 1 in C Major, BWV 846: I. Prelude - The 50 Greatest Classical Masterpieces -
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Lohengrin, WWV 75: Akt 3 - Treulich gefuhrt ziehet dahin (Brautlied der Manner und Frauen) - The 50 Greatest Classical Masterpieces -
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The Four Seasons - Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": I. Allegro - The 50 Greatest Classical Masterpieces -
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Gianni Schicchi: O Mio Babbino Caro - The 50 Greatest Classical Masterpieces -
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Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto - The 50 Greatest Classical Masterpieces -
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Karelia Suite, Op. 11: III. Alla marcia - The 50 Greatest Classical Masterpieces -
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Adagio for Strings, Op. 11: Molto Adagio - 2017 Remastered Version - The 50 Greatest Classical Masterpieces -
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Cello Suite No. 1 in G Major, BWV 1007: I. Prélude - The 50 Greatest Classical Masterpieces -
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Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII - The 50 Greatest Classical Masterpieces -
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String Quartet No. 2 in D Major: III. Nocturne. Andante (Arr. for Violin & Orchestra) - The 50 Greatest Classical Masterpieces -
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24 Preludes, Op. 28: No. 15 in D-Flat Major "Raindrop" - The 50 Greatest Classical Masterpieces -
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Turandot: Nessun dorma! - The 50 Greatest Classical Masterpieces -
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Concierto de Aranjuez: II. Adagio - The 50 Greatest Classical Masterpieces -
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3 Gymnopédies: No. 1, Lent et douloureux - The 50 Greatest Classical Masterpieces -
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Symphony No. 40 in G Minor, K. 550: I. Molto allegro - The 50 Greatest Classical Masterpieces -
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Finlandia, Op. 26 - The 50 Greatest Classical Masterpieces -
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Jerusalem - The 50 Greatest Classical Masterpieces -
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Il Trovatore: Vedi! Le fosche notturne - The 50 Greatest Classical Masterpieces -
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The Planets, Op. 32: I. Mars, the Bringer of War - The 50 Greatest Classical Masterpieces -
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Pictures at an Exhibition, IMM 50: La grande porte de kiev - The 50 Greatest Classical Masterpieces -
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St Matthew Passion, BWV 244: Part II, No. 78: Double Chorus "In Deepest Grief, Here Sit we Weeping" - The 50 Greatest Classical Masterpieces -
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Canon & Gigue in D Major, P. 37: Canon - The 50 Greatest Classical Masterpieces -
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The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity - The 50 Greatest Classical Masterpieces -
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Cantata Herz und Mund und Tat und Leben, BWV 147: Jesu, Joy of Man's Desiring - The 50 Greatest Classical Masterpieces -
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3 Waltzes, Op. 64: No. 1 in D-Flat Major "Minute" - The 50 Greatest Classical Masterpieces -
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Prélude à l'après-midi d'un faune, L. 86 - The 50 Greatest Classical Masterpieces -
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Cavalleria rusticana: Act I: Intermezzo sinfonico - The 50 Greatest Classical Masterpieces -
Collegiate Chorale
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