John Aler
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Campra: Messe de requiem: I. Introït - John Eliot Gardiner Conducts French Baroque Music: Couperin, Rameau, Campra & Leclair -
John Aler
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Campra: Messe de requiem: II. Kyrie - John Eliot Gardiner Conducts French Baroque Music: Couperin, Rameau, Campra & Leclair -
John Aler
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Campra: Messe de requiem: III. Graduel - John Eliot Gardiner Conducts French Baroque Music: Couperin, Rameau, Campra & Leclair -
John Aler
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Campra: Messe de requiem: IV. Offertoire - John Eliot Gardiner Conducts French Baroque Music: Couperin, Rameau, Campra & Leclair -
John Aler
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Campra: Messe de requiem: V. Sanctus - John Eliot Gardiner Conducts French Baroque Music: Couperin, Rameau, Campra & Leclair -
John Aler
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Campra: Messe de requiem: VI. Agnus Dei - John Eliot Gardiner Conducts French Baroque Music: Couperin, Rameau, Campra & Leclair -
John Aler
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Campra: Messe de requiem: VII. Post-communion - John Eliot Gardiner Conducts French Baroque Music: Couperin, Rameau, Campra & Leclair -
John Aler
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Rameau: Les Fêtes d'Hébé, Troisième entrée "La Danse": Ritournelle gaye - John Eliot Gardiner Conducts French Baroque Music: Couperin, Rameau, Campra & Leclair -
John Aler
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Rameau: Les Fêtes d'Hébé, Troisième entrée "La Danse": Récit. "Que de plaisirs" (Mercure) - John Eliot Gardiner Conducts French Baroque Music: Couperin, Rameau, Campra & Leclair -
John Aler
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Rameau: Les Fêtes d'Hébé, Troisième entrée "La Danse": Air. "Tu veux avoir la préférence" (Mercure) - John Eliot Gardiner Conducts French Baroque Music: Couperin, Rameau, Campra & Leclair -
John Aler
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Rameau: Les Fêtes d'Hébé, Troisième entrée "La Danse": Musette en rondeau - John Eliot Gardiner Conducts French Baroque Music: Couperin, Rameau, Campra & Leclair -
John Aler
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Rameau: Les Fêtes d'Hébé, Troisième entrée "La Danse": Air. "C'est pour l'amour" (Eglé) - John Eliot Gardiner Conducts French Baroque Music: Couperin, Rameau, Campra & Leclair -
John Aler
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Rameau: Les Fêtes d'Hébé, Troisième entrée "La Danse": Musette en rondeau (Reprise) - John Eliot Gardiner Conducts French Baroque Music: Couperin, Rameau, Campra & Leclair -
John Aler
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Rameau: Les Fêtes d'Hébé, Troisième entrée "La Danse": Rigaudon - John Eliot Gardiner Conducts French Baroque Music: Couperin, Rameau, Campra & Leclair -
John Aler
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Rameau: Les Fêtes d'Hébé, Troisième entrée "La Danse": Petit chœur. "Le charmant art d'Eglé" (Chœur, Mercure) - John Eliot Gardiner Conducts French Baroque Music: Couperin, Rameau, Campra & Leclair -
John Aler
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Rameau: Les Fêtes d'Hébé, Troisième entrée "La Danse": Entrée de Terpsichore, de ses nymphes, des faunes et des sylvains - John Eliot Gardiner Conducts French Baroque Music: Couperin, Rameau, Campra & Leclair -
John Aler
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Rameau: Les Fêtes d'Hébé, Troisième entrée "La Danse": Loure grave - John Eliot Gardiner Conducts French Baroque Music: Couperin, Rameau, Campra & Leclair -
John Aler
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Rameau: Les Fêtes d'Hébé, Troisième entrée "La Danse": Menuets - John Eliot Gardiner Conducts French Baroque Music: Couperin, Rameau, Campra & Leclair -
John Aler
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Rameau: Les Fêtes d'Hébé, Troisième entrée "La Danse": Air. "Contre l'Amour, jeunes beautés" (Mercure) - John Eliot Gardiner Conducts French Baroque Music: Couperin, Rameau, Campra & Leclair -
John Aler
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Rameau: Les Fêtes d'Hébé, Troisième entrée "La Danse": Seconde musette en rondeau - John Eliot Gardiner Conducts French Baroque Music: Couperin, Rameau, Campra & Leclair -
John Aler
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Rameau: Les Fêtes d'Hébé, Troisième entrée "La Danse": Tambourin en rondeau - John Eliot Gardiner Conducts French Baroque Music: Couperin, Rameau, Campra & Leclair -
John Aler
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Rameau: Les Fêtes d'Hébé, Troisième entrée "La Danse": Chœur en rondeau. "Suivez les lois" (Chœur, Une bergère, Mercure) - John Eliot Gardiner Conducts French Baroque Music: Couperin, Rameau, Campra & Leclair -
John Aler
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Rameau: Les Fêtes d'Hébé, Troisième entrée "La Danse": Chœur. "Non, non dans nos retraites" (Chœur) - John Eliot Gardiner Conducts French Baroque Music: Couperin, Rameau, Campra & Leclair -
John Aler
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Couperin, F: Les goûts-réunis: Le Parnasse ou l'apothéose de Corelli: I. Corelli au pied du Parnasse prie les Muses de le recevoir parmi elles - John Eliot Gardiner Conducts French Baroque Music: Couperin, Rameau, Campra & Leclair -
John Aler
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Couperin, F: Les goûts-réunis: Le Parnasse ou l'apothéose de Corelli: II. Corelli charmé de la bonne réception qu'on lui fait au Parnasse, en marque sa joye - John Eliot Gardiner Conducts French Baroque Music: Couperin, Rameau, Campra & Leclair -
John Aler
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Couperin, F: Les goûts-réunis: Le Parnasse ou l'apothéose de Corelli: III. Corelli buvant à la source d'Hypocrêne - John Eliot Gardiner Conducts French Baroque Music: Couperin, Rameau, Campra & Leclair -
John Aler
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Couperin, F: Les goûts-réunis: Le Parnasse ou l'apothéose de Corelli: IV. Enthousiasme de Corelli - Corelli après son enthousiasme s'endort - John Eliot Gardiner Conducts French Baroque Music: Couperin, Rameau, Campra & Leclair -
John Aler
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Couperin, F: Les goûts-réunis: Le Parnasse ou l'apothéose de Corelli: V. Les Muses réveillent Corelli, et le placent auprès d'Apollon - John Eliot Gardiner Conducts French Baroque Music: Couperin, Rameau, Campra & Leclair -
John Aler
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Couperin, F: Les goûts-réunis: Le Parnasse ou l'apothéose de Corelli: VI. Remerciment de Corelli - John Eliot Gardiner Conducts French Baroque Music: Couperin, Rameau, Campra & Leclair -
John Aler
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Rameau: Dardanus, Prologue: Ouverture - John Eliot Gardiner Conducts French Baroque Music: Couperin, Rameau, Campra & Leclair -
John Aler
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Rameau: Dardanus, Prologue: Marche pour les différentes nations - John Eliot Gardiner Conducts French Baroque Music: Couperin, Rameau, Campra & Leclair -
John Aler
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Rameau: Dardanus, Prologue: Menuet tendre en rondeau - John Eliot Gardiner Conducts French Baroque Music: Couperin, Rameau, Campra & Leclair -
John Aler
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Rameau: Dardanus, Act 1: Air vif - John Eliot Gardiner Conducts French Baroque Music: Couperin, Rameau, Campra & Leclair -
John Aler
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Rameau: Dardanus, Act 1: Rigaudons I & II - John Eliot Gardiner Conducts French Baroque Music: Couperin, Rameau, Campra & Leclair -
John Aler
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Rameau: Dardanus, Act 2: Ritournelle vive - Entrée d'Isménor - John Eliot Gardiner Conducts French Baroque Music: Couperin, Rameau, Campra & Leclair -
John Aler
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Rameau: Dardanus, Act 3: Air en rondeau - John Eliot Gardiner Conducts French Baroque Music: Couperin, Rameau, Campra & Leclair -
John Aler
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Rameau: Dardanus, Act 3: Tambourins I & II - John Eliot Gardiner Conducts French Baroque Music: Couperin, Rameau, Campra & Leclair -
John Aler
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Rameau: Dardanus, Act 4: Entrée des songes - John Eliot Gardiner Conducts French Baroque Music: Couperin, Rameau, Campra & Leclair -
John Aler
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Rameau: Dardanus, Act 4: Gavotte vive - John Eliot Gardiner Conducts French Baroque Music: Couperin, Rameau, Campra & Leclair -
John Aler
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Rameau: Dardanus, Act 4: Air de triomphe - John Eliot Gardiner Conducts French Baroque Music: Couperin, Rameau, Campra & Leclair -
John Aler
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Rameau: Dardanus, Act 5: Entrée de Vénus - John Eliot Gardiner Conducts French Baroque Music: Couperin, Rameau, Campra & Leclair -
John Aler
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Leclair: Scylla et Glaucus, Op. 11, Prologue: Sarabande - John Eliot Gardiner Conducts French Baroque Music: Couperin, Rameau, Campra & Leclair -
John Aler
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Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux - John Eliot Gardiner Conducts French Baroque Music: Couperin, Rameau, Campra & Leclair -
John Aler
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Leclair: Scylla et Glaucus, Op. 11, Prologue: Symphonie - John Eliot Gardiner Conducts French Baroque Music: Couperin, Rameau, Campra & Leclair -
John Aler
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Leclair: Scylla et Glaucus, Op. 11, Prologue: Gigue - "Venez, qu'Amour vous couronne" (Amour) - John Eliot Gardiner Conducts French Baroque Music: Couperin, Rameau, Campra & Leclair -
John Aler
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Leclair: Scylla et Glaucus, Op. 11, Prologue: Passepied - "Votre zèle pour moi brille assez dans vos jeux" (Vénus) - John Eliot Gardiner Conducts French Baroque Music: Couperin, Rameau, Campra & Leclair -
John Aler
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Leclair: Scylla et Glaucus, Op. 11, Prologue: Ouverture (Reprise) - John Eliot Gardiner Conducts French Baroque Music: Couperin, Rameau, Campra & Leclair -
John Aler
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Leclair: Scylla et Glaucus, Op. 11, Act 1: Air des sylvains - John Eliot Gardiner Conducts French Baroque Music: Couperin, Rameau, Campra & Leclair -
John Aler
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Leclair: Scylla et Glaucus, Op. 11, Act 1: Musette - "Loin de nos retraites" (Une bergère, Chœur) - John Eliot Gardiner Conducts French Baroque Music: Couperin, Rameau, Campra & Leclair -
John Aler
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Leclair: Scylla et Glaucus, Op. 11, Act 1: Premier menuet pour la musette - John Eliot Gardiner Conducts French Baroque Music: Couperin, Rameau, Campra & Leclair -
John Aler
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The Four Seasons, Violin Concerto in E Major, Op. 8/1, RV 269 "Spring": I. Allegro - "Abbado: Baroque & Beyond" -
John Aler
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The Four Seasons, Violin Concerto in E Major, Op. 8/1, RV 269 "Spring": II. Largo e pianissimo sempre - "Abbado: Baroque & Beyond" -
John Aler
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The Four Seasons, Violin Concerto in E Major, Op. 8/1, RV 269 "Spring": III. Allegro - "Abbado: Baroque & Beyond" -
John Aler
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The Four Seasons, Violin Concerto in G Minor, Op. 8/2, RV 315 "Summer": I. Allegro non molto - Allegro - "Abbado: Baroque & Beyond" -
John Aler
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The Four Seasons, Violin Concerto in G Minor, Op. 8/2, RV 315 "Summer": II. Adagio e piano - Presto e forte - "Abbado: Baroque & Beyond" -
John Aler
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The Four Seasons, Summer, Violin Concerto in G Minor, RV 315, Op. 8 No. 2: III. Presto - "Abbado: Baroque & Beyond" -
John Aler
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The Four Seasons, Violin Concerto in F Major, Op. 8/3, RV 293 "Autumn": I. Allegro - "Abbado: Baroque & Beyond" -
John Aler
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The Four Seasons, Violin Concerto in F Major, Op. 8/3, RV 293 "Autumn": II. Adagio molto - "Abbado: Baroque & Beyond" -
John Aler
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The Four Seasons, Violin Concerto in F Major, Op. 8/3, RV 293 "Autumn": III. Allegro - "Abbado: Baroque & Beyond" -
John Aler
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The Four Seasons, Violin Concerto in F Minor, Op. 8/4, RV 297 "Winter": I. Allegro non molto - Allegro - "Abbado: Baroque & Beyond" -
John Aler
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The Four Seasons, Violin Concerto in F Minor, Op. 8/4, RV 297 "Winter": II. Largo - "Abbado: Baroque & Beyond" -
John Aler
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The Four Seasons, Violin Concerto in F Minor, Op. 8/4, RV 297 "Winter": III. Allegro - "Abbado: Baroque & Beyond" -
John Aler
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Brandenburg Concerto No. 2 in F Major, BWV 1047: I. (Allegro) - Live from Teatro Romolo Valli, Reggio Emilia, 2007 - "Abbado: Baroque & Beyond" -
John Aler
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Brandenburg Concerto No. 2 in F Major, BWV 1047: II. Andante - Live from Teatro Romolo Valli, Reggio Emilia, 2007 - "Abbado: Baroque & Beyond" -
John Aler
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Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai - Live from Teatro Romolo Valli, Reggio Emilia, 2007 - "Abbado: Baroque & Beyond" -
John Aler
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Brandenburg Concerto No. 3 in G Major, BWV 1048: I. (Allegro) - Live from Teatro Romolo Valli, Reggio Emilia, 2007 - "Abbado: Baroque & Beyond" -
John Aler
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5 Contredanses "Non più andrai", K. 609: No. 3 in D Major - "Abbado: Baroque & Beyond" -
John Aler
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3 German Dances, K. 605: No. 3 in C Major, Trio "Die Schlittenfahrt" - "Abbado: Baroque & Beyond" -
John Aler
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Choral Fantasy in C Minor for Piano, Chorus and Orchestra, Op. 80: I. Adagio - Live at Schauspielhaus, Berlin, 1991 - "Abbado: Baroque & Beyond" -
John Aler
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Choral Fantasy in C Minor for Piano, Chorus and Orchestra, Op. 80: II. Finale: a. Allegro - Meno allegro - Allegro molto - Live at Schauspielhaus, Berlin, 1991 - "Abbado: Baroque & Beyond" -
John Aler
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Choral Fantasy in C Minor for Piano, Chorus and Orchestra, Op. 80: II. Finale: b. Adagio ma non troppo - Live at Schauspielhaus, Berlin, 1991 - "Abbado: Baroque & Beyond" -
John Aler
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Choral Fantasy in C Minor for Piano, Chorus and Orchestra, Op. 80: II. Finale: c. Marcia, assai vivace - Allegro - Live at Schauspielhaus, Berlin, 1991 - "Abbado: Baroque & Beyond" -
John Aler
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Choral Fantasy in C Minor for Piano, Chorus and Orchestra, Op. 80: II. Finale: d. Allegretto, ma non troppo quasi andante con moto - Live at Schauspielhaus, Berlin, 1991 - "Abbado: Baroque & Beyond" -
John Aler
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Choral Fantasy in C Minor for Piano, Chorus and Orchestra, Op. 80: II. Finale: e. Presto - Live at Schauspielhaus, Berlin, 1991 - "Abbado: Baroque & Beyond" -
John Aler
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Requiem für Mignon, Op. 98b: I. Langsam feierlich - "Abbado: Baroque & Beyond" -
John Aler
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Requiem für Mignon, Op. 98b: II. Etwas bewegter - "Abbado: Baroque & Beyond" -
John Aler
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Requiem für Mignon, Op. 98b: III. Lebhaft - "Abbado: Baroque & Beyond" -
John Aler
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Requiem für Mignon, Op. 98b: IV. Feierlich, doch nicht zu langsam - "Abbado: Baroque & Beyond" -
John Aler
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Requiem für Mignon, Op. 98b: V. Die Viertel wie vorher die Halben - "Abbado: Baroque & Beyond" -
John Aler
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Requiem für Mignon, Op. 98b: VI. Lebhaft - "Abbado: Baroque & Beyond" -
John Aler
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Greisengesang D. 778 (Orch. Reger) - Live at Cité de la musique, Paris, 2002 - "Abbado: Baroque & Beyond" -
John Aler
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Gretchen am Spinnrade, D. 118 (Orch. Reger) - Live - "Abbado: Baroque & Beyond" -
John Aler
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Gruppe aus dem Tartarus, D. 583 (Orch. Reger) - Live - "Abbado: Baroque & Beyond" -
John Aler
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Daphnis et Chloé, M. 57, Pt. 1: Ia. Introduction - "Abbado: Baroque & Beyond" -
John Aler
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Daphnis et Chloé, M. 57, Pt. 1: Ib. Danse religieuse - "Abbado: Baroque & Beyond" -
John Aler
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Daphnis et Chloé, M. 57, Pt. 1: Ic. [Fig. 10] Tout au fond - "Abbado: Baroque & Beyond" -
John Aler
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Daphnis et Chloé, M. 57, Pt. 1: Id. Danse des jeunes filles - "Abbado: Baroque & Beyond" -
John Aler
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Daphnis et Chloé, M. 57, Pt. 1: Ie. A ce moment, elle est entraînée dans la danse des jeunes gens - "Abbado: Baroque & Beyond" -
John Aler
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Daphnis et Chloé, M. 57, Pt. 1: IIa. Danse générale - "Abbado: Baroque & Beyond" -
John Aler
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Daphnis et Chloé, M. 57, Pt. 1: IIb. Vif - Plus modéré - III. Danse grotesque de Dorcon - "Abbado: Baroque & Beyond" -
John Aler
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Daphnis et Chloé, M. 57, Pt. 1: IVa. Danse légère et gracieuse de Daphnis - "Abbado: Baroque & Beyond" -
John Aler
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Daphnis et Chloé, M. 57, Pt. 1: IVb. Lent - Moins lent - Très libre - "Abbado: Baroque & Beyond" -
John Aler
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Daphnis et Chloé, M. 57, Pt. 1: Va. Danse de Lycéion - "Abbado: Baroque & Beyond" -
John Aler
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Daphnis et Chloé, M. 57, Pt. 1: Vb. Entrée des pirates - "Abbado: Baroque & Beyond" -
John Aler
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Daphnis et Chloé, M. 57, Pt. 1: Vc. Modéré - "Abbado: Baroque & Beyond" -
John Aler
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Daphnis et Chloé, M. 57, Pt. 1: VI. Nocturne. Danse lente et mystérieuse des Nymphes - "Abbado: Baroque & Beyond" -
John Aler
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Daphnis et Chloé, M. 57, Pt. 2: IXb. Assez animé - "Abbado: Baroque & Beyond" -
John Aler
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Daphnis et Chloé, M. 57, Pt. 2: IXc. Lent-Modére - "Abbado: Baroque & Beyond" -
John Aler
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Daphnis et Chloé, M. 57, Pt. 2: VII. Introduction - "Abbado: Baroque & Beyond" -
John Aler
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Daphnis et Chloé, M. 57, Pt. 2: VIIIa. Danse guerrière - "Abbado: Baroque & Beyond" -
John Aler
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Auber: La muette de Portici, Act 1: Ouverture - Auber: La muette de Portici -
John Aler
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Auber: La muette de Portici, Act 1: Introduction. "Du prince, objet de notre amour" - Air. "Ô toi, jeune victime" - Duo. "Lorenzo, je te vois" (Chœur, Alphonse, Lorenzo) - Auber: La muette de Portici -
John Aler
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Auber: La muette de Portici, Act 1: Récitatif. "Mais du cortège qui s'avance" - Chœur. "Du prince, objet de notre amour" (Alphonse, Lorenzo, Chœur) - Auber: La muette de Portici -
John Aler
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Auber: La muette de Portici, Act 1: Air. "Plaisir du rang suprême" (Elvire) - Auber: La muette de Portici -
John Aler
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Auber: La muette de Portici, Act 1: Ballet. Guarache - Auber: La muette de Portici -
John Aler
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Auber: La muette de Portici, Act 1: Scène. "Dans ces jardins, quel bruit se fait entendre ?" - Chœur de la chapelle. "Ô Dieu puissant !" (Elvire, Dame d'honneur, Selva, Lorenzo, Chœur) - Auber: La muette de Portici -
John Aler
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Auber: La muette de Portici, Act 1: Finale. "Ils sont unis !" (Chœur, Elvire, Alphonse) - Auber: La muette de Portici -
John Aler
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Auber: La muette de Portici, Act 2: Chœur. "Amis, le soleil va paraître" - Récitatif. "Masaniello paraît" (Chœur, Borella, Masaniello) - Auber: La muette de Portici -
John Aler
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Auber: La muette de Portici, Act 2: Barcarolle. "Amis, la matinée est belle" - Récitatif. "Mais j'aperçois Pietro" (Masaniello, Pietro, Chœur) - Auber: La muette de Portici -
John Aler
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Auber: La muette de Portici, Act 2: Duo. "Mieux vaut mourir que rester misérable" - Scène. "Eh bien ! Nous voilà seuls" (Masaniello, Pietro) - Auber: La muette de Portici -
John Aler
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Auber: La muette de Portici, Act 2: Finale. "Venez, amis, partager mes transports" (Masaniello, Chœur, Borella, Pietro) - Auber: La muette de Portici -
John Aler
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Auber: La muette de Portici, Act 3: Duo. "N'espérez pas me fuir" (Alphonse, Elvire) - Auber: La muette de Portici -
John Aler
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Auber: La muette de Portici, Act 3: Chœur du marché. "Au marché qui vient de s'ouvrir" (Chœur) - Auber: La muette de Portici -
John Aler
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Auber: La muette de Portici, Act 3: Finale. "Non, je ne me trompe pas" - Prière. "Saint bienheureux" (Selva, Chœur, Masaniello, Pietro, Borella) - Auber: La muette de Portici -
John Aler
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Auber: La muette de Portici, Act 4: Récitatif. "Spectacle affreux" - Air. "Ô Dieu ! Toi qui m'a destiné à remplir ce sanglant office" - Cavatine du sommeil. "Du pauvre seul ami fidèle" (Masan - Auber: La muette de Portici -
John Aler
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Auber: La muette de Portici, Act 4: "Mais on vient" - Chœur. "À nos serments, l'honneur t'engage" - Cavatine. "Arbitre d'une vie" (Masaniello, Pietro, Chœur, Alphonse, Elvire) - Auber: La muette de Portici -
John Aler
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Auber: La muette de Portici, Act 4: Scène. "Des étrangers dans ma chaumière !" (Masaniello, Alphonse, Pietro, Elvire, Chœur) - Auber: La muette de Portici -
John Aler
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Auber: La muette de Portici, Act 4: Marche - Chœur. "Honneur et gloire !" (Chœur, Pietro, Masaniello) - Auber: La muette de Portici -
John Aler
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Auber: La muette de Portici, Act 5: Barcarolle. "Voyez du haut de ces rivages" (Pietro, Chœur, Moreno) - Auber: La muette de Portici -
John Aler
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Auber: La muette de Portici, Act 5: Finale. "On vient ! Silence, amis !" (Pietro, Borella, Chœur, Masaniello, Elvire, Alphonse) - Auber: La muette de Portici -
John Aler
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Strauss, Johann II: Unter Donner und Blitz, Op. 324 - Daniel Barenboim & Chicago Symphony Orchestra - From Beethoven & Brahms to Ravel & Bernstein -
John Aler
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Strauss II J. & Jos: Pizzicato-Polka - Daniel Barenboim & Chicago Symphony Orchestra - From Beethoven & Brahms to Ravel & Bernstein -
John Aler
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Brahms: Symphony No. 3 in F Major, Op. 90: III. Poco allegretto - Daniel Barenboim & Chicago Symphony Orchestra - From Beethoven & Brahms to Ravel & Bernstein -
John Aler
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Brahms: Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Theme. Andante - Daniel Barenboim & Chicago Symphony Orchestra - From Beethoven & Brahms to Ravel & Bernstein -
John Aler
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Brahms: Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation I. Poco più animato - Daniel Barenboim & Chicago Symphony Orchestra - From Beethoven & Brahms to Ravel & Bernstein -
John Aler
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Brahms: Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation II. Più vivace - Daniel Barenboim & Chicago Symphony Orchestra - From Beethoven & Brahms to Ravel & Bernstein -
John Aler
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Brahms: Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation III. Con moto - Daniel Barenboim & Chicago Symphony Orchestra - From Beethoven & Brahms to Ravel & Bernstein -
John Aler
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Brahms: Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation IV. Andante con moto - Daniel Barenboim & Chicago Symphony Orchestra - From Beethoven & Brahms to Ravel & Bernstein -
John Aler
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Brahms: Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation V. Vivace - Daniel Barenboim & Chicago Symphony Orchestra - From Beethoven & Brahms to Ravel & Bernstein -
John Aler
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Brahms: Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation VI. Vivace - Daniel Barenboim & Chicago Symphony Orchestra - From Beethoven & Brahms to Ravel & Bernstein -
John Aler
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Brahms: Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation VII. Grazioso - Daniel Barenboim & Chicago Symphony Orchestra - From Beethoven & Brahms to Ravel & Bernstein -
John Aler
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Brahms: Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation VIII. Presto non troppo - Daniel Barenboim & Chicago Symphony Orchestra - From Beethoven & Brahms to Ravel & Bernstein -
John Aler
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Brahms: Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Finale. Andante - Daniel Barenboim & Chicago Symphony Orchestra - From Beethoven & Brahms to Ravel & Bernstein -
John Aler
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Verdi: Messa da Requiem: II. Dies irae - Daniel Barenboim & Chicago Symphony Orchestra - From Beethoven & Brahms to Ravel & Bernstein -
John Aler
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Verdi: Messa da Requiem: IX. Ingemisco - Daniel Barenboim & Chicago Symphony Orchestra - From Beethoven & Brahms to Ravel & Bernstein -
John Aler
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Strauss II, J: Tritsch-Tratsch Polka, Op. 214 - Daniel Barenboim & Chicago Symphony Orchestra - From Beethoven & Brahms to Ravel & Bernstein -
John Aler
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Verdi: Messa da Requiem: XIII. Sanctus - Daniel Barenboim & Chicago Symphony Orchestra - From Beethoven & Brahms to Ravel & Bernstein -
John Aler
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Berlioz: Symphonie fantastique, Op. 14, H 48: II. Un bal. Valse - Daniel Barenboim & Chicago Symphony Orchestra - From Beethoven & Brahms to Ravel & Bernstein -
John Aler
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Debussy: La Mer, CD 111, L. 109: II. Jeux de vagues - Daniel Barenboim & Chicago Symphony Orchestra - From Beethoven & Brahms to Ravel & Bernstein -
John Aler
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Bernstein: Symphonic Dances from West Side Story: No. 3, Scherzo - Daniel Barenboim & Chicago Symphony Orchestra - From Beethoven & Brahms to Ravel & Bernstein -
John Aler
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Bernstein: Symphonic Dances from West Side Story: No. 4, Mambo - Daniel Barenboim & Chicago Symphony Orchestra - From Beethoven & Brahms to Ravel & Bernstein -
John Aler
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Bernstein: Symphonic Dances from West Side Story: No. 5, Cha-cha - Daniel Barenboim & Chicago Symphony Orchestra - From Beethoven & Brahms to Ravel & Bernstein -
John Aler
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Bernstein: Symphonic Dances from West Side Story: No. 9, Finale - Daniel Barenboim & Chicago Symphony Orchestra - From Beethoven & Brahms to Ravel & Bernstein -
John Aler
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Beethoven: Missa solemnis, Op. 123: Gloria in excelsis Deo - Daniel Barenboim & Chicago Symphony Orchestra - From Beethoven & Brahms to Ravel & Bernstein -
John Aler
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Beethoven: Missa solemnis, Op. 123: Gratias agimus - Daniel Barenboim & Chicago Symphony Orchestra - From Beethoven & Brahms to Ravel & Bernstein -
John Aler
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Beethoven: Missa solemnis, Op. 123: Credo in unum Deum - Daniel Barenboim & Chicago Symphony Orchestra - From Beethoven & Brahms to Ravel & Bernstein -
John Aler
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Beethoven: Missa solemnis, Op. 123: Et resurrexit - Daniel Barenboim & Chicago Symphony Orchestra - From Beethoven & Brahms to Ravel & Bernstein -
John Aler
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Nielsen: Violin Concerto, Op. 33: I. Praeludium - Largo - Daniel Barenboim & Chicago Symphony Orchestra - From Beethoven & Brahms to Ravel & Bernstein -
John Aler
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Falla: El sombrero de tres picos: Introducción - Daniel Barenboim & Chicago Symphony Orchestra - From Beethoven & Brahms to Ravel & Bernstein -
John Aler
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Falla: El sombrero de tres picos, Pt. 1: La tarde - Daniel Barenboim & Chicago Symphony Orchestra - From Beethoven & Brahms to Ravel & Bernstein -
John Aler
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Falla: El sombrero de tres picos, Pt. 1: Danza de la molinera - Daniel Barenboim & Chicago Symphony Orchestra - From Beethoven & Brahms to Ravel & Bernstein -
John Aler
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Ravel: Rapsodie espagnole, M. 54: II. Malagueña - Daniel Barenboim & Chicago Symphony Orchestra - From Beethoven & Brahms to Ravel & Bernstein -
John Aler
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Ravel: Rapsodie espagnole, M. 54: III. Habanera - Daniel Barenboim & Chicago Symphony Orchestra - From Beethoven & Brahms to Ravel & Bernstein -
John Aler
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Ravel: Pavane pour une infante défunte, M. 19 - Daniel Barenboim & Chicago Symphony Orchestra - From Beethoven & Brahms to Ravel & Bernstein -
John Aler
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Wagner: Siegfried, Act 2: Forest Murmurs - Daniel Barenboim & Chicago Symphony Orchestra - From Beethoven & Brahms to Ravel & Bernstein -
John Aler
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Strauss II, J: Annen-Polka, Op. 117 - Daniel Barenboim & Chicago Symphony Orchestra - From Beethoven & Brahms to Ravel & Bernstein -
John Aler
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Strauss I, J: Radetzky-Marsch, Op. 228 - Daniel Barenboim & Chicago Symphony Orchestra - From Beethoven & Brahms to Ravel & Bernstein -
John Aler
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Strauss, R: An Alpine Symphony, Op. 64: I. Night - Daniel Barenboim & Chicago Symphony Orchestra - From Beethoven & Brahms to Ravel & Bernstein -
John Aler
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Strauss, R: An Alpine Symphony, Op. 64: II. Sunrise - Daniel Barenboim & Chicago Symphony Orchestra - From Beethoven & Brahms to Ravel & Bernstein -
John Aler
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Strauss, R: An Alpine Symphony, Op. 64: III. The Ascent - Daniel Barenboim & Chicago Symphony Orchestra - From Beethoven & Brahms to Ravel & Bernstein -
John Aler
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Strauss, R: An Alpine Symphony, Op. 64: IV. Entering the Forest - Strolling by the Stream - Daniel Barenboim & Chicago Symphony Orchestra - From Beethoven & Brahms to Ravel & Bernstein -
John Aler
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Strauss, R: An Alpine Symphony, Op. 64: V. By the Waterfall - Daniel Barenboim & Chicago Symphony Orchestra - From Beethoven & Brahms to Ravel & Bernstein -
John Aler
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Strauss, R: An Alpine Symphony, Op. 64: VI. Apparition - Daniel Barenboim & Chicago Symphony Orchestra - From Beethoven & Brahms to Ravel & Bernstein -
John Aler
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Strauss, R: An Alpine Symphony, Op. 64: VII. In Flowery Meadows - Daniel Barenboim & Chicago Symphony Orchestra - From Beethoven & Brahms to Ravel & Bernstein -
John Aler
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Strauss, R: An Alpine Symphony, Op. 64: VIII. In a Mountain Pasture - Daniel Barenboim & Chicago Symphony Orchestra - From Beethoven & Brahms to Ravel & Bernstein -
John Aler
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Strauss, R: An Alpine Symphony, Op. 64: IX. Lost in the Thickets and Undergrowth - Daniel Barenboim & Chicago Symphony Orchestra - From Beethoven & Brahms to Ravel & Bernstein -
John Aler
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Strauss, R: An Alpine Symphony, Op. 64: X. On the Glacier - Daniel Barenboim & Chicago Symphony Orchestra - From Beethoven & Brahms to Ravel & Bernstein -
John Aler
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Strauss, R: An Alpine Symphony, Op. 64: XI. Dangerous Moments - Daniel Barenboim & Chicago Symphony Orchestra - From Beethoven & Brahms to Ravel & Bernstein -
John Aler
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Strauss, R: An Alpine Symphony, Op. 64: XII. On the Summit - Daniel Barenboim & Chicago Symphony Orchestra - From Beethoven & Brahms to Ravel & Bernstein -
John Aler
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Strauss, R: An Alpine Symphony, Op. 64: XIII. Vision - Daniel Barenboim & Chicago Symphony Orchestra - From Beethoven & Brahms to Ravel & Bernstein -
John Aler
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4 Orchestral Pieces, Sz. 51: I. Preludio - Boulez A-Z: Bartók -
John Aler
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4 Orchestral Pieces, Sz. 51: II. Scherzo. Allegro - Boulez A-Z: Bartók -
John Aler
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4 Orchestral Pieces, Sz. 51: III. Intermezzo. Moderato - Boulez A-Z: Bartók -
John Aler
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4 Orchestral Pieces, Sz. 51: IV. Marcia funebre. Maestoso - Boulez A-Z: Bartók -
John Aler
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Concerto for Orchestra, Sz. 116: I. Introduction. Andante non troppo – Allegro vivace - Boulez A-Z: Bartók -
John Aler
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Concerto for Orchestra, Sz. 116: II. Giuoco della coppie. Allegretto scherzando - Boulez A-Z: Bartók -
John Aler
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Concerto for Orchestra, Sz. 116: III. Elegia. Andante, non troppo - Boulez A-Z: Bartók -
John Aler
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Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto - Boulez A-Z: Bartók -
John Aler
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Concerto for Orchestra, Sz. 116: V. Finale. Pesante – Presto - Boulez A-Z: Bartók -
John Aler
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Dance Suite, Sz. 77: I. Moderato - Boulez A-Z: Bartók -
John Aler
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Dance Suite, Sz. 77: II. Allegro molto - Boulez A-Z: Bartók -
John Aler
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Dance Suite, Sz. 77: III. Allegro vivace - Boulez A-Z: Bartók -
John Aler
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Dance Suite, Sz. 77: IV. Molto tranquillo - Boulez A-Z: Bartók -
John Aler
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Dance Suite, Sz. 77: V. Comodo - Boulez A-Z: Bartók -
John Aler
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Dance Suite, Sz. 77: VI. Finale. Allegro - Boulez A-Z: Bartók -
John Aler
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2 Pictures, Sz. 46: I. In Full Flower - Boulez A-Z: Bartók -
John Aler
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2 Pictures, Sz. 46: II. Village Dance - Boulez A-Z: Bartók -
John Aler
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Hungarian Sketches, Sz. 97: I. Evening in Transylvania - Boulez A-Z: Bartók -
John Aler
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Hungarian Sketches, Sz. 97: II. Bear Dance - Boulez A-Z: Bartók -
John Aler
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Hungarian Sketches, Sz. 97: III. Melody - Boulez A-Z: Bartók -
John Aler
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Hungarian Sketches, Sz. 97: IV. Slightly Tipsy - Boulez A-Z: Bartók -
John Aler
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Hungarian Sketches, Sz. 97: V. Swineherd's Dance - Boulez A-Z: Bartók -
John Aler
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Divertimento for Strings, Sz. 113: I. Allegro non troppo - Boulez A-Z: Bartók -
John Aler
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Divertimento for Strings, Sz. 113: II. Molto adagio - Boulez A-Z: Bartók -
John Aler
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Divertimento for Strings, Sz. 113: III. Allegro assai - Boulez A-Z: Bartók -
John Aler
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The Miraculous Mandarin, Sz. 73: Introduction. Allegro - Boulez A-Z: Bartók -
John Aler
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The Miraculous Mandarin, Sz. 73: 1st Decoy Game. Moderato - Boulez A-Z: Bartók -
John Aler
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The Miraculous Mandarin, Sz. 73: 2nd Decoy Game - Boulez A-Z: Bartók -
John Aler
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The Miraculous Mandarin, Sz. 73: 3rd Decoy Game. Sostenuto - Boulez A-Z: Bartók -
John Aler
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The Miraculous Mandarin, Sz. 73: The Mandarin Enters. Maestoso - Boulez A-Z: Bartók -
John Aler
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The Miraculous Mandarin, Sz. 73: The Girl Sinks Down to Embrace Him. Allegro - Boulez A-Z: Bartók -
John Aler
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The Miraculous Mandarin, Sz. 73: The Tramps Leap Out. Sempre vivo - Boulez A-Z: Bartók -
John Aler
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The Miraculous Mandarin, Sz. 73: Suddenly the Mandarin's Head Appears. Adagio - Boulez A-Z: Bartók -
John Aler
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The Miraculous Mandarin, Sz. 73: Again, the Frightened Tramps Discuss How to Eliminate the Mandarin. Agitato - Boulez A-Z: Bartók -
John Aler
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The Miraculous Mandarin, Sz. 73: The Body of the Mandarin Begins to Glow with a Greenish Blue Light. Molto moderato - Boulez A-Z: Bartók -
John Aler
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The Miraculous Mandarin, Sz. 73: She Resists No Longer – They Embrace. Più mosso – Vivo - Boulez A-Z: Bartók -
John Aler
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Music for Strings, Percussion & Celesta, Sz. 106: I. Andante tranquillo - Boulez A-Z: Bartók -
John Aler
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Music for Strings, Percussion & Celesta, Sz. 106: II. Allegro - Boulez A-Z: Bartók -
John Aler
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Music for Strings, Percussion & Celesta, Sz. 106: III. Adagio - Boulez A-Z: Bartók -
John Aler
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Music for Strings, Percussion & Celesta, Sz. 106: IV. Allegro molto - Boulez A-Z: Bartók -
John Aler
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Cantata profana, Sz. 94: I. Molto moderato - Boulez A-Z: Bartók -
John Aler
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Cantata profana, Sz. 94: II. Andante - Boulez A-Z: Bartók -
John Aler
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Cantata profana, Sz. 94: III. Moderato - Boulez A-Z: Bartók -
John Aler
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The Wooden Prince, Sz. 60: Introduction - Boulez A-Z: Bartók -
John Aler
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The Wooden Prince, Sz. 60: 1st Dance. Dance of the Princess in the Forest - Boulez A-Z: Bartók -
John Aler
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The Wooden Prince, Sz. 60: 2nd Dance. Dance of the Trees - Boulez A-Z: Bartók -
John Aler
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The Wooden Prince, Sz. 60: 3rd Dance. Dance of the Waves - Boulez A-Z: Bartók -
John Aler
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The Wooden Prince, Sz. 60: 4th Dance. Dance of the Princess with the Wooden Doll - Boulez A-Z: Bartók -
John Aler
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The Wooden Prince, Sz. 60: 5th Dance. The Princess Pulls and Tugs at the Wooden Prince and Tries to Make Him Dance - Boulez A-Z: Bartók -
John Aler
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The Wooden Prince, Sz. 60: 6th Dance. She Tries to Attract the Real Prince with Her Seductive Dancing - Boulez A-Z: Bartók -
John Aler
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